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	<title>Comments on: The Autonomous Hand of the Artist</title>
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		<title>By: Yosh</title>
		<link>http://igetlifted.wordpress.com/2008/06/09/the-aesthetics-of-the-hand/#comment-48</link>
		<dc:creator>Yosh</dc:creator>
		<pubDate>Tue, 17 Jun 2008 05:10:35 +0000</pubDate>
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		<description>This is a fantastic essay, IGL. So many interesting issues raised, so many different cultural spectres &#039;touched&#039; upon. I also enjoy the way you&#039;ve posted sections of it previously on the blog, bringing them together into a larger Organ, with the stitches still left in place. A couple of thoughts:

1. I cant remember whether I&#039;ve commented before about Alien Hand Syndrome, or if you know very much about it. It would be really interesting to explore in this context. AHS basically occurs when communication between the two hemispheres of the brain is disrupted (by severing the corpus callosum, for instance, a technique which has been employed as a cure for epilepsy), and one of the hands suddenly takes on a life of its own, performing acts the sufferer has no control over or even consciousness of. Sometimes these hands try to strangle their owners. Interesting stuff!

2. It&#039;s interesting the way these partial objects can be transmuted from abjection into comedy, as in &lt;em&gt;The Addams Family&lt;/em&gt; or &lt;em&gt;Strangelove&lt;/em&gt;. I spose there&#039;s probably a fluency there which applies to most or all abject things, really. We all know how thin the line between tragedy and comedy is.

3. Christ crucified is pretty much the Eternal Object &lt;em&gt;par excellence&lt;/em&gt;, I think, and we can see how iconic the actual Christ &lt;em&gt;image&lt;/em&gt; has become in our culture, reappearing in so many varied contexts, from &lt;em&gt;Northern Exposure&lt;/em&gt; to self-flagellents. I just think it&#039;s fascinating how the concept and the actual visual representation of the concept become inseparable, and can live forever, drawing the Event of the crucifixion out over the millenia. Hm.

Again, fantastic post!

Yosh</description>
		<content:encoded><![CDATA[<p>This is a fantastic essay, IGL. So many interesting issues raised, so many different cultural spectres &#8216;touched&#8217; upon. I also enjoy the way you&#8217;ve posted sections of it previously on the blog, bringing them together into a larger Organ, with the stitches still left in place. A couple of thoughts:</p>
<p>1. I cant remember whether I&#8217;ve commented before about Alien Hand Syndrome, or if you know very much about it. It would be really interesting to explore in this context. AHS basically occurs when communication between the two hemispheres of the brain is disrupted (by severing the corpus callosum, for instance, a technique which has been employed as a cure for epilepsy), and one of the hands suddenly takes on a life of its own, performing acts the sufferer has no control over or even consciousness of. Sometimes these hands try to strangle their owners. Interesting stuff!</p>
<p>2. It&#8217;s interesting the way these partial objects can be transmuted from abjection into comedy, as in <em>The Addams Family</em> or <em>Strangelove</em>. I spose there&#8217;s probably a fluency there which applies to most or all abject things, really. We all know how thin the line between tragedy and comedy is.</p>
<p>3. Christ crucified is pretty much the Eternal Object <em>par excellence</em>, I think, and we can see how iconic the actual Christ <em>image</em> has become in our culture, reappearing in so many varied contexts, from <em>Northern Exposure</em> to self-flagellents. I just think it&#8217;s fascinating how the concept and the actual visual representation of the concept become inseparable, and can live forever, drawing the Event of the crucifixion out over the millenia. Hm.</p>
<p>Again, fantastic post!</p>
<p>Yosh</p>
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